中美比较文学：第五期（英文）

二

一

中外文学交流中的生态和侨易“身份”

三

二

一

文学的“侨寓”与“翻易”：以中美戏剧文学交流为例

三 侨易个体位移中的观念创生

二 异国形象塑造中的恒常

一 异质文学激荡中的变创

侨易学视域下的中美文学交流

Soviet Schooling: The Case of Joseph Brodsky

Revisioning Wu’S Film Trajectory

Wu’s Artistic Creation in the Chinese Western

Wu’s Administration at the 1980s Cultural Production Scene

The Theoretical Predicament

Wu Tianming and Chinese Cinema: The Field of Cultural Production since 1979

Conclusion

Unmasking an Authentic Self in Changes

Lament from/for the Phoenix: a Self to Be Reborn

The Collapse of Rites and the Spoilt of Music

Between the Collective and the Social

Tested in Life: The Failure of the Introspective Self

Introduction

The Exploration of Self in Wu Tianming’s Films

Disney’s Mulan and Jingle Ma’s Mulan: Promoting a Peaceful World within the Nation and beyond

Jingle Ma’s Hua Mulan: Caring All People as a Cosmopolitan Patriot

Disney’s Mulan: Seeking for the True Self and Personal Happiness

Mulan’s Introduction in the United States

The Figure of Hua Mulan in Chinese Literary History

Mulan’s Transnational Identity in Disney’s Mulan (1998) and Jingle Ma’s Hua Mulan (2009)

V. The Diversification: 1989-Present

IV. The Idolization: 1979-1989

III. The Communication Stagnation: 1949-1979

II. The Dominance: Hollywood Golden Years in China: l927-1949

I. The Inspiration: Introducing American Films to China: 1895-1927

Hollywood and the Chinese Cinema

Introduction to the Fifth Issue

编委会

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封面

封面

版权信息

编委会

Introduction to the Fifth Issue

Hollywood and the Chinese Cinema

I. The Inspiration: Introducing American Films to China: 1895-1927

II. The Dominance: Hollywood Golden Years in China: l927-1949

III. The Communication Stagnation: 1949-1979

IV. The Idolization: 1979-1989

V. The Diversification: 1989-Present

Mulan’s Transnational Identity in Disney’s Mulan (1998) and Jingle Ma’s Hua Mulan (2009)

The Figure of Hua Mulan in Chinese Literary History

Mulan’s Introduction in the United States

Disney’s Mulan: Seeking for the True Self and Personal Happiness

Jingle Ma’s Hua Mulan: Caring All People as a Cosmopolitan Patriot

Disney’s Mulan and Jingle Ma’s Mulan: Promoting a Peaceful World within the Nation and beyond

The Exploration of Self in Wu Tianming’s Films

Introduction

Tested in Life: The Failure of the Introspective Self

Between the Collective and the Social

The Collapse of Rites and the Spoilt of Music

Lament from/for the Phoenix: a Self to Be Reborn

Unmasking an Authentic Self in Changes

Conclusion

Wu Tianming and Chinese Cinema: The Field of Cultural Production since 1979

The Theoretical Predicament

Wu’s Administration at the 1980s Cultural Production Scene

Wu’s Artistic Creation in the Chinese Western

Revisioning Wu’S Film Trajectory

Soviet Schooling: The Case of Joseph Brodsky

侨易学视域下的中美文学交流

一 异质文学激荡中的变创

二 异国形象塑造中的恒常

三 侨易个体位移中的观念创生

文学的“侨寓”与“翻易”：以中美戏剧文学交流为例

一

二

三

中外文学交流中的生态和侨易“身份”

一

二